The Value of Theatre

When I was a little girl, I often found myself digging through my mother’s closet and drawers to create what I termed “old-timey” clothes.  My mother’s fashion sense was not in any way “old timey”—but her nightgowns could be layered and belted on my frame to resemble the great robes of eighteenth-century royalty.  It fascinated me that people from long ago did not attire themselves as we did in the early 1980s, and I wanted to explore that with my own designs and imagination. 

I was also a pretty voracious reader.  After reading Little Women (the abridged version) as a third grader, I would spend hours in my room reenacting scenes from Meg’s life.  Not long after, I was orchestrating talent shows and made-up plays from the living room with neighborhood children.  Yes, I was *that* kid. 

After one particular living-room performance, which idealistically I believed EVERYONE would want to be a part of, I found myself near tears because one of my friends had categorically refused to participate.  I now understand that she had stage fright, but that didn’t (and still doesn’t) exist in my genetic make-up.  To heap insult upon injury, my mother pulled me aside for a scolding.  My offense?  I had invited the neighborhood into our home without warning and the house was a mess.  Oops. 

So it was time to redirect my energies.  My mother happened upon an ad in the paper for a local children’s theatre.  Their production for the summer?  Little Women.  Did I want to audition?  (She had to explain to me what an audition was first.)  Ummm, YES!  And while disappointed to learn I was too young to play Meg, I did receive the part of Beth.  The rest is history.

Traci as Beth 1983.jpg

Traci as Beth in Little Women

Produced by Garland Children’s Theatre (1983)

The adaptation of Little Women we performed was “cleaned up.”  Spoiler alert.  In this version, nobody died.  Imagine my ten-year-old brain trying to conceive why anybody would want to change a word of Louisa May Alcott’s literary masterpiece.  Where is my death scene?!?!  Everybody should grieve Beth’s sacrifice, illness, and loss!  It was unconscionable.  Eventually, however, I adjusted to the new approach, but it rang false.  I couldn’t articulate it then, but I know today that theatre was/is a way to wrestle with the difficulties of life.  That it was and is necessary to explore grief, love, doubt, inequality, and suffering through art. 

This brings me to the crux of this post.  An acquaintance of mine queried a few years ago, “What really is the purpose of theatre at a small, liberal arts school?”  Or, we might ask, “What is the value of theatre anywhere?”  What does it do?  What should it do?  The debate is as old as theatre itself.  And there are (generally) two camps that the arguments fall into: theatre as entertainment and theatre as instruction.  Theatre should delight!  Theatre should inform!  Well, yes.  And yes. 

There are those who want escapist entertainment that doesn’t require much thought.  They want to be awed by the spectacle and roll with the laughter.  Theatre should be equal parts romance, poetic justice, and action.  It should allow them to set aside their own concerns for a few hours, and delight in the trials and triumphs of some other life.

Then there are those who want to be challenged by something new, who want their perspective challenged, who want to examine the tough subjects through the intimate setting of theatre.  They carry the story with them beyond the curtain call and into the days and weeks ahead, turning it over in their mind and wrestling with it in their conversations.

The best theatre, in my opinion, does both.  It explores relevant topics or stories in a way that captures the audience’s imagination and heart.  It inspires discussion at the very least.  It never bores.  It demands examination and change.  It emboldens and encourages.  It lifts, and it humbles.  It heals and it hurts.  Therein lies its purpose and its value.  And I know of no other way to bring so many diverse topics and so many different people together in one collaborative, cathartic event than the theatre.  And to me… that has great worth.

-Traci Ledford